What Happened To Academia? Part 2

by Media Lens / December 17th, 2010

In our reply to Piers Robinson below we try to show how ‘objective scholarship’, like ‘objective journalism’, all too often filters out what really matters. Moreover, as in journalism, the scholar’s obsession with objectivity tends to promote the interests of power. Why? Because mainstream academics and journalists are deeply and unconsciously biased. They notice subjective opinion that hurts power because power is on hand to make them aware, in no uncertain terms, with high-level complaints, legal threats, political flak and other attacks. When subjective opinion promotes power no-one notices because peace reigns supreme.

A superb example was provided in John Pilger’s new film, The War You Don’t See. The BBC’s Head of Newsgathering, Fran Unsworth, told Pilger: “it’s the BBC’s duty to scrutinise what it is that people [leaders] say; we’re not there to accuse them of lying, though, because that’s a judgement…”

And this would be fine, but for the fact that the BBC clearly is willing to laud these same leaders to the skies! Nobody notices that this also constitutes ”a judgement” because people with the ability to hurt the media stay silent. This is a major reason why ostensibly objective journalists and scholars so consistently drift towards “the centre-middle ground” (to use the polite term). It is a key issue in academia, as in journalism, and needs to be discussed. We replied to Piers Robinson on December 14:

Hi Piers

Thanks for your response. This has been an interesting, if somewhat lengthy, journey for us. We were prompted to write to you after reading comments on Journalism.co.uk where Joel Gunter cited you as arguing that the UK benefits from an “admirably wide range of coverage” with the media including a “strongly anti-war element”.

This and other comments sparked a hectic display of facial fireworks here as eyebrows rose even as brows furrowed. Why? We devoted our lives to studying media reporting of the pre-invasion and invasion periods in the first half of 2003. The patterns and limits of media reporting, the unspoken rules, were so clear to us – they could hardly have been more obvious.

Far from offering an “admirably wide range of coverage”, the media facilitated an audacious government propaganda campaign while offering a strictly enfeebled version of dissent. Obvious facts and sources that had the power to derail the government case for war were essentially nowhere to be seen.  (See our books, Guardians of Power and Newspeak for details. See, also, John Pilger’s new film, The War You Don’t See, to which we contributed, and which is being broadcast tonight on ITV)

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